Originally published on Nov. 29, 2016 and updated on Dec 18, 2017. As you take your home recording to the next level, you will eventually outgrow your 2-channel audio interface. We have updated this guide to help you with this expansion, giving you a good look at the current best stand-alone audio interfaces with 4 or more analog inputs. This guide has been updated and our recommendations are based on updated research from December 2017 during which we analyzed over 2,000 more sources than we had done for the previous version. NB: We have separate guides devoted to.
Contents. The Best USB Audio Interfaces Click on a model name for further details or scroll down to read through all of them. Behringer is not one to pull punches, so they really brought out the big guns with this affordable audio interface, packing it with features that helped make it a favorite in the entry to mid-tier market. With its up to date 24-bit/192kHz resolution, four MIDAS (a preamp and mixer console manufacturer acquired by Behringer) designed preamps, and its impressively wide complement of controls, this audio interface easily outclasses others on paper - and what's more impressive is how it performs in the real world, as proven by the many positive responses that it continues to rake in. Features:.
A/D Resolution: 24-bit/192kHz. Simultaneous I/O: 4 x 4.
Inputs: 4 x XLR/TRS Combo, 4 x 1/4' Inserts. Outputs: 6 x 1/4'. 2 x XLR, 2 x Stereo, 1 x 1/4' Headphones. Computer Connectivity: USB 2.0. MIDI: In/Out.
4 x MIDAS-designed mic preamps. Phantom Power: +48V. Low latency monitoring. Bundled Software: Tracktion 4 It is no surprise that many prefer the Behringer U-Phoria UMC404HD audio interface because of its affordable price tag, but what's surprising is how some even favor it over more expensive units.
Sound quality continues to get a lot of praise, thanks to its built-in MIDAS designed mic preamps. The flexibility of capturing up to four sound sources simultaneously also gathered a lot of thumbs up. Finally, the UMC404HD's small footprint and USB bus powered operation makes it very portable, viable for both home studios and mobile recording situations. There was one user who cautioned that the phantom power switch controls all four channels, so you have to be careful when recording mixed sources. Others were let down with the lack of instructions, but they still gave high ratings because the learning curve was not too bad.
If budget is limited, or if you're looking for an affordable backup, the 4-channel Behringer U-Phoria UMC404HD is highly recommended. Steinberg is mostly known for music production software products, which include the popular DAW - Cubase. They have since branched out to produce good quality hardware, and have been successful with their audio interfaces. To be specific, the 4-channel UR242 continues to gain traction in the market with its two class A D-PRE microphone preamps, 24-bit/192kHz resolution, multi-operating system compatibility and Loopback functionality for live internet streaming.
Features:. A/D Resolution: 24-bit/192kHz. Simultaneous I/O: 4 x 2. Inputs: 2 x XLR/TRS Combo, 2 x 1/4'.
Outputs: 2 x 1/4'. 1 x 1/4' Headphones. Computer Connectivity: USB 2.0, iOS. MIDI: In/Out. 2 x D-Pre Class A preamps.
Phantom Power: +48V. Zero latency monitoring. Bundled Software: Cubase AI Build quality gets a lot of commendations, while others are impressed by the Steinberg UR242's intuitive controls, easy installation process and overall operation. Many experienced musicians and sound engineers are impressed by the D-PRE preamps' quiet operation and clarity, with some stating that it exceeded their expectations. Most concerns point to software and driver issues. There are also some users who reported having issues installing the bundled software Cubase AI.
With its iOS compatibility and solid build, the Steinberg UR242 is definitely worth checking. Drawing from their mother company's (Yamaha) hardware manufacturing expertise, Steinberg's audio interfaces have become quite the market favorite. The UR44 is their representative in the 6-Channel category, featuring 4 class A D-Pre preamps, iOS compatibility and built-in Digital Sound Processing capabilities.
This makes the UR44 a versatile interface that can handle both home and mobile recordings. As expected, this interface is designed to integrate well with Steinberg, but it can also be used with other DAW software. Features:.
A/D Resolution: 24-bit/192kHz. Simultaneous I/O: 6 x 4. Inputs: 4 x XLR/TRS Combo, 2 x 1/4'. Outputs: 6 x 1/4' 2 x XLR, 1 x 1/4' Headphones. Computer Connectivity: USB 2.0, iOS Compliant. MIDI: In/Out.
4 Class A D-PRE preamps. Phantom Power: +48V. Onboard DSP with Built-in Effects.
Zero latency monitoring. Bundled Software: Cubase AI, Steinberg FX Suite VST 3 Plugins Many reviewers report that reliability, software compatibility and audio quality are the best traits of this compact USB audio interface. Most are impressed with its solid construction and low-latency operation, especially when used in conjunction with Cubase DAW software. The built in reverb, channel strip and the bundled mixing app also get a lot of thumbs up. Some wished for a digital output for easy expansion, but this is a reasonable limitation given the price.
While it does work well with any DAW software, there a few that had issues using the UR44 with their Pro Tools setup. Finally, there were a few who complained about the initial setup being a bit more complicated than what they are used to, but they still did appreciate its overall performance. If you're using Steinberg's Cubase then you should take advantage of the extra mileage that you can get out of the UR44. The Apogee Quarter is a USB audio interface specifically designed for Mac and iOS devices, featuring four analog combo XLR/TRS inputs, four Apogee preamps, a Lightpipe input for expanding to 12 inputs, and it has a versatile set of eight output ports. Still, the main selling point of this interface is its premium quality AD/DA conversion at 24-bit/192kHz, which compliments Apple's popular smartphones, tablets and computers really well. All these features are packed into a desktop-friendly angled form factor with an intuitive interface that include an OLED display, assignable touch pads and a single main knob.
Features:. A/D Resolution: 24-bit/192kHz. Simultaneous I/O: 12 x 8. Inputs: 4 x XLR/TRS Combo, 1 x Lightpipe.
Outputs: 6 x 1/4'. 2 x XLR, 2 x Stereo, 1 x 1/4' Stereo 5.1 Monitor. Computer Connectivity: USB 2.0. MIDI: USB. 4 x Apogee mic preamps. Phantom Power: +48V. Zero latency monitoring.
Bundled Software: Tracktion 4 Market response to the Apogee Quartet continues to be overwhelmingly positive, with most reviewers pointing to its sleek appearance, intuitive design and premium quality converters as its main selling points. While Apogee is not known for preamp quality, there are a number of users who commended the quality of the preamps, including self professed snobs who prefer 3rd party dedicated mic preamps. Most reviewers report that this unit is a true workhorse unit, a good contrast to its toy-like size. There are a few who wished for features like the ability to be powered by a dedicated power supply and a simple power button.
Software issues also came up a few times. One user cautioned that because of its lightweight design, the unit may tip over when heavy cables are plugged into all the ports at the back. If you are looking for a matching audio interface for your Mac/iPad/iPhone, then you will definitely want to look at the Apogee Quartet. Part of Focusrite's second generation of audio interfaces, the Scarlett 18i20 carries over the best of the original version with upgraded 24-bit/192kHz resolution, improved drivers and software bundle. It gives you the 8 combo XLR/TRS inputs with Focusrite's popular mic preamps, a 2-channel S/PDIF input and an optical ADAT input for expansion to a total of 18 channels. This second generation version also benefited from the collaboration between Pro Tools developer AVID and Focusrite, resulting in improved software control and the inclusion of the Pro Tools First Focusrite Creative Pack into the software bundle included with each unit.
The Octa Capture audio interface is true to its name, having eight combo XLR/TRS inputs with 8 Roland designed VS preamps that direct the signal to its 24-bit/192kHZ AD/DA converters. The VS preamps are designed to deliver increased headroom and dynamic range while keeping noise levels low, making it applicable for louder instruments like acoustic drums, guitar cabinets and more. The first two combo inputs are compatible with both microphones and Hi-Z sound sources. Other features include a 40-bit DSP driven cue mixing feature, built-in reverb, and Roland's Auto-Sens technology which automatically sets the ideal input levels, to make setting up this 8-channel interface more convenient and novice-friendly. The RME Fireface UCX is a feature-packed audio interface that's meant for professional use in both mobile and studio recordings. It has a total of 8 analog inputs, including two combo XLRs, while also providing more than a handful of output options. It also opens up your options in terms of digital connectivity, because it can work with USB 2, USB 3 and Firewire 400.
But it's not just about connectivity, because this unit comes with RME's Hammerfall converters, known for their premium sound quality. Finally, it features TotalMix FX, a dual DSP system that allows for latency-free effects, processing, monitoring. Features:. A/D Resolution: 24-bit/192kHz.
Simultaneous I/O: 8 x 6. Inputs: 2 x XLR Combo, 6 x TRS. Outputs: 6 x TRS, 1 x Headphones.
Computer Connectivity: USB 2.0, USB 3, Firewire 400. MIDI: I/O. Phantom Power: +48V. Zero-latency Monitoring, Effects and Processing Reviews are flooded with superlatives like excellent, great, superior and the like - all of which reflect the RME Fireface UCX's high ratings. Everything from sound quality, to its solid build, to its reliability got a lot of positive mentions. One user even reported having no problems and not a single instance of software crashing with his almost two years of use. Interestingly, value for money came up a number of times, from users who feel that the RME Fireface UCX is a great buy.
Even Sam Inglis of is convinced of its performance, saying 'the main reasons for buying a Fireface UCX remain its excellent sound and performance in a computer recording context'. There are a few who noted that the interface has some room for improvement, other than that, everyone seems very happy with their expensive interface. If budget is not an issue, and you're looking for a powerful and versatile audio interface, then the RME Fireface UCX is highly recommended. Studio Capture is the flagship model of Roland's line of audio interfaces, and as expected, this one carries all the big guns, meant for professional studio use.
It has a host of input options, including 12 combo XLR/TRS jacks, 4 TRS line inputs, and 1 S/PDIF input. The output options are equally impressive, with 8 TRS and 2 XLR outputs, as well as a S/PDIF out. The same extra features are available in support of the multiple input/output options, including Roland's Auto-Sens technology, and the built-in 40-bit DSP capabilities. Features:. A/D Resolution: 24-bit/192kHz.
Simultaneous I/O: 16 x 10. Inputs: 12 x XLR/TRS Combo (Instrument & Mic), 4 x 1/4' Line, 1 x S/PDIF. Outputs: 8 x 1/4' TRS, 2 x XLR, 1 x S/PDIF.
Computer Connectivity: USB 2.0. MIDI: In/Out.
12 x VS Preamps. Phantom Power: +48V. Internal 40-bit DSP Processing. Auto-Sens Technology and Zero latency monitoring Experts appreciate the generous input and output options that this unit provides, and after putting their units to the test with maxed input and output options, they found that the Roland Studio Capture passed with flying colors. Reviews are mostly positive, pointing to its sound quality, solid and reliable build, and easy operation - and all of these are from people who use different DAW software and operating systems, from those with Cubase on Windows to Pro Tools on Macs. There aren't that many complaints, other than sporadic driver and software update concerns. If you're looking for a reliable audio interface with 16 analog inputs, then get the top rated Roland Studio Capture.
The Fireface 802 packs RME's premium build and sound quality into an audio interface with 12 analog inputs. It features four mic preamps that are based on their popular OctaMic II hardware, all of which are paired with RME's brand of premium AD/DA converters. Other features include DSP-driven TotalMix FX mixer for latency-free effects and routing, and compatibility with USB 2.0, Firewire 400 and Firewire 800 protocols. Finally, it comes with Optical and XLR digital I/O support that allow for up to 18 channels of audio. Features:. A/D Resolution: 24-bit/192kHz.
Simultaneous I/O: 12 x 8. Inputs: 8 x 1/4' TRS, 4 x XLR-1/4' combo. Outputs: 8 x 1/4' TRS. Computer Connectivity: USB 2.0, FireWire 400, FireWire 800.
MIDI: In/Out. 4 x OctaMic II Preamps. Latency Free Monitoring. Phantom Power: +48V. Zero latency monitoring Fantastic and wonderful are just two of the many positive adjectives that have been used to describe the RME Fireface 802.
Clarity and overall sound quality is almost always praised, while others are very happy with its versatility and connectivity. Many of the users report that it works well on Macs, but there are also Windows users who are just as impressed. One user described the sound as clear and uncolored, ideal for those who want transparent recordings of instruments and vocals. There were a few who wish for added features like, extra XLR combo inputs, while some were not too happy with how the manual describes its operation. The RME Fireface 802 is a worthy investment for those who want a versatile and powerful audio interface in their studio.
In the US-16x08 Tascam have produced a really good piece of hardware at a great price but it has been hampered by issues with its drivers over a period of time and this is reflected in the mediocre Gearank score. However if you are prepared to do your research and take the chance that you'll end up troubleshooting driver issues then you'll stand a good chance of ending up with a bargain. This unit offers a full 16 channels of inputs, 8 of which are Ultra-HDDA microphone preamps plus 8 line level inputs. The unit is USB Class compliant so you should be able to use the basic IO features without needing Tascam's drivers and this also provides compatibility with 'driverless' devices such as the iPad. Features:. A/D Resolution: 24-bit/96kHz. Simultaneous I/O: 16 x 8.
Inputs: 8 x XLR, 8 x 1/4' Balanced (2 switchable to Hi-Z instrument). Outputs: 8 x 1/4' Balanced. 1/4' Stereo Headphones.
Computer Connectivity: USB 2.0. MIDI: In/Out. 8 x Ultra-HDDA microphone preamps. Phantom Power: +48V switchable for channel 1-4, 5-8.
Functions as 8-channel microphone preamp when not connected to USB. Onboard DSP mixer with 4-band EQ and compression on each input channel. USB Class Compliant Most users are impressed with the quality of the preamps, complimenting them for their strong signal and low noise operation. As expected, being affordable and easy to setup came up a number of times. A significant minority of reviewers say they have experienced consistent problems with the drivers, with reports of crashing, high CPU usage, and audio interruption. The problems seem to be more prevalent with Windows OS, while Mac users have generally fared better. Those who have contacted Tascam support were unimpressed with what help they received (as is a common theme with many manufacturers).
That said, most users haven't experienced these problems and a fair few have found them fairly easy to resolve. Some report that they are able to bypass the problems with the Tascam drivers by using Class Compliant drivers instead. If you're looking for 16 channels of input on a budget then this is a great option. Most users who buy this are very pleased with the performance it offers and unless you strike driver problems you will be too.
Things to Consider When Buying an Audio Interface. Number of Inputs vs Channel Count This is the number of analogue inputs that can be transferred through to separate tracks on your computer which sounds pretty simple. However we think some manufacturers fudge the number a little bit to give a higher channel count. Many of them include digital input channels to their devices such as SP/DIF or ADAT in the channel count, even though these would require another piece of hardware acting as an audio interface (EG some mixers and mic preamps also provide A/D conversion) to actually allow them to be used. So an '18 channel' interface might only be able to handle 8 analogue inputs by itself. This is why we've classified the interfaces in our guide by the number of analogue channels that can be input and be sent as separate channels via USB. This is not to say that these extra digital input channels aren't a handy option when you want to expand but they won't help you if you don't have another compatible audio interface.
Mic Level, Instrument Level and Line Level Inputs In addition to knowing the number of inputs, you also have to know the type of inputs available be it line level (low impedance) or instrument level (high impedance) inputs. Instrument level ports are for electric guitars and basses with no active preamp, while you can plug keyboards, amps and other electronic instruments in to the line level input. XLR inputs are usually accompanied by a preamp to handle microphones. Combo XLR/TRS inputs usually have preamps embedded, so they are mic ready. Some units have versatile line level and instrument level switching for specific ports. Preamp and Phantom Power Built-in preamps allow you to connect microphones and they also can provide phantom power to condenser mics when needed. But they're not just for connectivity, because they can also effect the character of the sound and are responsible for keeping noise at bay.
Thankfully, manufacturers rarely skimp on the quality of their preamps, often equipping their entire range of audio interfaces with the same preamp found on their flagship model. Note that not all inputs will have a preamp, so it is important to consider the actual number of preamps available. Power Options As the channels increase, so does the complexity of the circuit, and its power requirement. So you can expect most of the units listed here to require wall power adaptors to keep them running. Still there are a few that can be bus powered via USB from a computer. Note that none of them can be powered via the USB from an iOS device so thankfully they all have an option to run via a mains power wall adaptor.
Analog to Digital Bit Rate and Sample Rate This specification describes the resolution of your converted digital audio, and the general idea is that the higher the sample rate, the more details are captured. The current highest standard is 24-bit/192kHz, but there is a lot of debate about sampling rates so if you'd like to know more see:. The main thing to know is that a sampling rate of 44.1kHz will capture all of the frequencies that most people can hear.
Also note that the preamp usually plays a bigger role in recording quality. Operating Systems, Connectivity and Drivers Most audio interfaces come with specific custom low latency drivers for Windows and Mac that allow you to use the audio channels in your recording software and often control inbuilt hardware features such as effects/DSPs.
However we've consistently found that most of the serious user complaints about audio interfaces come from a small number of owners who can't get these drivers to work properly. Often these can be attributed to people not setting things up properly but there are some cases were it appears there are genuine problems with the drivers on some systems.
Furthermore many users find that the manufacturer support in the event of driver problems is lacking and some of them are slow to release fixes for these issues. By and large we've chosen the interfaces that have the least problems for our guide but few are immune to some degree of complaint. To reduce the chances of encountering these problems you should check to ensure that there are drivers available for your version of operating system and check to see whether other owners have had problem with systems like yours.
One way to avoid manufacturer driver issues is to use a USB Class Compliant interface (audio and possibly MIDI) which means it can use standard drivers that are usually already available in your system. This will also 'future proof' your device in the event that the manufacturer stops releasing drivers for newer operating system versions. Using these drivers you may not be able to access some of the extra features of the hardware but the basic audio/midi channels will work. If you're looking for compatibility with iOS devices such as the iPad (via the Apple USB adaptor) then the device will need to be USB Class Compliant anyway. It's still best to make sure the manufacturer specifically mentions compatibility though. You can check out our guide if you're looking for dedicated iPad audio interfaces.
Bundled Software Most audio interfaces come with bundled software, some of which include 'Lite' versions of popular DAW software like Pro Tools, Cubase, Ableton Live and more. Others even come with extras like virtual instruments, samples, in depth software control over the interface and more. All of these should be enough to get novice users started.
Best USB Audio Interface Selection Methodology Initially, we surveyed the market for audio interfaces with four or more analog inputs, focusing on those that are highly rated and popular. And to ensure that you can actually buy the ones that make the list, we limited our scope to those that are easily accessible from online retailers in the USA. To keep this guide relevant, we took another look at the market in December 2017, and gathered the latest reviews and ratings, resulting in over 5,100 sources (that's over 2,000 more than last time) being processed by the Gearank Algorithm.
The resulting ratings our of 100 together with the rest of the information that we gathered were used to narrow down the list to just the best rated ones. Finally, we've divided the list based on the number of their analog inputs, to make it easier to find one with enough connectivity options to suit your needs.
You can find out more about this process in.
Originally published on Feb. 18, 2016 and last updated on May 23, 2018. With the release of more affordable models, the iPad continues its reign as the go-to mobile device for audio recording and music production. But to fully realize its potential, you'll need a compatible good quality audio interface.
This is where we come in with our list of the Best Audio Interfaces for the iPad - updated for 2018, featuring current market favorites that complement the iPad's portability, intuitiveness and reliability. We've separated the interfaces into those that work directly with the iPad's lightning connection and those USB interfaces that need to use Apple's Lightning to USB Adaptor which you buy separately. Contents. The Best iPad Audio Interfaces. IK Multimedia are well known for the iRig, a line of pocket-sized audio interfaces for musicians.
The iRig HD 2 exemplifies what this line is all about, with special focus on electric guitars and other stringed instruments. More than just a way to plug into your computer, it comes with an amp output jack for connecting your guitar to amplifiers, which expands your monitoring options in the studio, and makes it useful for live performances and jamming, when combined with its bundled software, AmpliTube. Like its predecessors, it maintains a compact profile and is bus powered, giving you one less cable to worry about. Specifications:.
A/D Resolution: 24-bit/96kHz. Connectors: Lightning, USB. Simultaneous Channels: 1. Inputs: 1 x 1/4' (Hi-Z Level). MIDI: None.
Power: Bus powered by iOS. Can charge IOS unit: No. Phantom Power: None.
Bundled Software: AmpliTube 4 Convenience is the main reason why many commend and recommend the IK Multimedia iRig HD 2. Portability is its main strength, along with its sound quality and versatility - thanks to the bundled AmpliTube software. Extra output options add to its overall usefulness, which many users appreciate, along with its solid feel.
It gets most of its commendations from those who use it for straight to computer recording be it at home or on the go with their iPad. There are no noteworthy complaints when it comes to using the iRig HD 2 with the iPad.
But there are a few who had compatibility issues with their Windows OS. The IK Multimedia iRig HD 2 is ideal for those who prioritize mobility and convenience. Shure retains a spot in this list with the MVi, a compact and versatile audio interface that works well with different sound sources.
It owes its versatility to its switchable recording mode, which lets you fine tune its Class A preamp for use with singing, acoustic instruments, speech and loud instruments. The 5th mode tunes the MVi to a basic flat setting, in case you want to go the warts and all approach. This interesting ability makes it easier for beginners to get good sounding recordings. The built-in DSP also lets you dial in dynamic and EQ settings to your preference, in case you want more control over the sound. Finally, all these features are packed well inside a solid but compact profile, making the MVi a true grab-and-go recording interface that matches the portability and flexibility of the iPad. Specifications:.
A/D Resolution: 24-bit/48kHz. Connectors: Lightning (Micro-USB to Lightning). Simultaneous Channels: 1.
Inputs: 1 x XLR-1/4' Combo (Line/Hi-Z Level). Outputs: 1 x 1/8' Headphones. Power: Bus Powered (by IOS or USB). Can charge IOS unit: No.
Phantom Power: 12V (when using iPad power), 48V when using standard USB power The market has mostly good things to say about the Shure MVi, with many praising its good balance of portability and sound quality. Ease of use and its rugged all metal chassis also get a lot of thumbs up. Many like the MVi's form factor, saying that it is easy on the eyes, and on the pocket, both in terms of money and space. Satisfied users include singers, guitar players, podcasters, professional voice actors and more. Note that the bundled Mini-USB to Lightning cable is not the same as standard USB to Lightning cables.
This means that replacing the cable can be a bit of a hassle, thankfully there are specialized mini-USB to lightning cables available online which you can find with a bit of searching. Just make sure that you don't lose the cable and you won't have to deal with this minor issue. If you want nothing but the best rated audio interface that can readily be used with your iPad, then Shure MVi is for you. The Apogee Jam 96k is a compact audio interface designed specifically for guitarists and bassists - and their iOS devices. It converts your guitar signal to 24-bit/96kHz digital audio that can be sent to your iPad and other iOS devices. And since its preamp circuit is especially tuned for instruments, it provides the right amount of headroom and dynamic range that other multi-purposes interfaces may lack. Other features include built-in limiter for preventing signal clipping, discrete gain knob and LED monitoring.
Aside from the mentioned features, the Apogee Jam 96K offers nothing extra, making it streamlined, compact and affordable. And since its from Apogee, sound quality and compatibility with Apple devices are already a given. Specifications:.
A/D Resolution: 24-bit/96kHz. Connectors: Lightning and USB. Simultaneous Channels: 1. Inputs: 1 x 1/4' Instrument. Power: Bus Powered by iOS or USB.
Can charge IOS unit: No Most reviewers agree that the Apogee Jam 96K sounds really good and clear. This clarity helped many guitarists achieve professional quality guitar recordings from their iPads. The simplicity that it brings was also mentioned multiple times, resulting in improved productivity. The proprietary lightning cable that comes with the Apogee Jam 96K prompted a few users to deduct points in their reviews. The unit's plastic exterior and small gain knob also got a few users concerned.
If you're looking for a high-quality and portable way of interfacing guitar/bass straight to your iPad, then the Apogee Jam 96K is your best pick. The Focusrite iTrack Solo Lightning is an iPad and iOS compatible audio interface that comes in mini-rack form factor. It's main selling point is its Focusrite mic preamps, which features the same quality as found on their more expensive models. Only this one is meant for the entry-level market, with its compact profile, streamlined features, and affordable price tag. As the label implies, this version comes bundled with a lightning cable, which connects it with the latest iPads out-of-the-box, in addition to connecting to Macs and PCs (via USB). Specifications:. A/D Resolution: 24-bit/96kHz.
Connectors: Lightning, USB. Simultaneous Channels: 2. Inputs:1 x XLR, 1 x 1/4' Instrument input. Outputs: 1 x RCA Monitor Outs, 1 x 1/4' Headphones. Power: USB. Can charge IOS unit: No. Phantom Power: Yes.
Bundled Software: Ableton Live Lite 8, Novation's Bass Station, Focusrite Scarlett Plug-in Suite, 1GB Loopmasters Samples. For the price, this audio interface does everything it is supposed to do, and it does all of them really well, and this is well attested in the reviews.
Most of its high scores are from users who do vocal/speech related recordings. Many users also commend it for its solid build and intuitive design. There were a few who encountered clipping issues when recording guitars and other pickup-equipped instruments. Experienced users noted that gain adjustments can be a bit tricky at first, but should be a non-issue once you got the settings dialed in just right. All in all, the Focusrite iTrack Solo Lightning is a worthy yet affordable audio interface that is highly recommended. Whatever music gear you're looking for, there's a good chance that Behringer has an affordable alternative.
The U-Phoria UMC204HD is a great example, a highly rated audio interface that gives you more bang for your buck, without compromising features. For the price, it gives you quite a lot to work with, including two MIDAS designed mic preamps with optional 48V phantom power, switchable line/instrument inputs and even MIDI connectivity. These features should be enough for most home studio tasks, while extras like the switchable input pad and double insert jacks makes for even more flexibility. Note that you'll need a Lightning to USB adapter along with a powered USB hub to make it work with the iPad. Thankfully, the Behringer UMC204HD is very affordable, so you'll have enough change to get these two accessories. Since using a powered USB hub or battery also charges you're iPad, its cost is easily justifiable. Specifications:.
A/D Resolution: 24-bit/192kHz. Connectors: USB (Requires Lightning to USB Adapter). Simultaneous Channels: 2. Inputs: 2 x XLR / TRS (switchable Hi-Z) Combo, 2 x 1/4' Insert. Outputs: 2 x Stereo, 2 x 1/4', 1 x 1/4' Headphones. MIDI: Input/Output. Power: USB Bus Powered.
Phantom Power: Yes While many use it for guitars, there are plenty of good reports of this interface working with different types of mics and instruments. Almost everyone agrees that it gives you the most features per dollar and that it is good enough for most recording purposes. While not iPad related, it should be noted that there are reports of driver issues with Windows and Mac systems, thankfully many solved them by updating the drivers. There were also a few users who had to update the firmware to make it work with the iPad.
The current production line should ship with updated firmware so this should be a non-issue for brand new units, unless a major iOS update has been released. If you are looking for a budget recording interface that you can use with your iPad then do check out the Behringer U-Phoria UMC204HD.
There's no denying Yamaha's reputation for quality and value for money, and the iPad-compatible AG03 is a great example. Far from being just another audio interface, this one comes with mixer-like functionality and multi-platform compatibility. The first channel features Yamaha's popular D-Pre mic preamp, while the second channel lets you switch between Hi-Z instruments or line level sound sources. It also comes with impressive control options including a dedicated fader for channel 1. Other features include built-in DSP effects (reverb, compression, filtering) and Loopback, which lets you broadcast via realtime online streaming platforms. Note that since the iPad cannot provide enough power for the Yamaha AG03, you'll need a USB 5V power adapter to get it running.
Alternatively, you can connect the extra USB slot to a power bank for mobile use. Specifications:. A/D Resolution: 24-bit/192kHz.
Connectors: USB (Requires Lightning to USB Adapter). Simultaneous Channels: 2. Inputs: 1 x XLR-1/4' Combo, 1 x 1/4' Hi-Z, 2 x 1/4' Line Input.
Outputs: 2 x 1/4', 1 x Stereo RCA, 2 x 1/4' Headset. Features: 3-Channel Mixer Controls and i/o, DSP (EQ, Filtering, Reverb), Loopback. Power: Bus Powered (Requires USB Power Hub). Phantom Power: 48V (Channel 1). Bundled Software: Cubase AI (Mac/PC), Cubasis LE The Yamaha AG03 is a great choice if you want a compact mixer / audio interface combo, and reviewers agree. Reviews show that it simplifies recording, podcasting and music production setups, and that it is useful in various situations, including video streaming, podcasting, recording, and more.
Many also commend its clarity and zero latency operation. There are a few who wish for extra features, but there are no notable complaints raised. If you are in the market for a multiplatform audio interface that doubles as a mixer, the Yamaha AG03 is highly recommended. Thanks to Audient, you can have a premium portable audio interface for under $200. The ID4 packs their class A mic preamp and JFET DI circuit into a compact and lightweight metal enclosure. It is designed to be class compliant, so it works with the iPad and other iOS devices, just as it does with Mac and Windows based computers.
Since this unit is bus powered, you'll need a powered USB Hub to get it working with the iPad. Thankfully, this slight inconvenience is minor compared to the benefits of utilizing Audient quality recordings on the go. Other features include zero-latency monitoring, mix and pan controls, 2 separate headphone outputs, and a console like interface. Specifications:.
A/D Resolution: 24-bit/96kHz. Connectors: USB (Requires Lightning to USB Adapter).
Simultaneous Channels: 2. Inputs: 1 x XLR-1/4' Combo (Mic/Line), 1 x 1/4' DI (Instrument). Outputs: 2 x 1/4' Monitor, 1 x 1/4' Headphones, 1 x 1/8' Headphones. MIDI: USB. Power: Requires USB Power Hub or Power Bank. Phantom Power: 48V (Channel 1) The Audient ID4 continues to get acclaim from users with different experience levels, including musicians, voice over artists, home studio owners and many more. Most reviewers not only praise its performance, but go as far as recommending it for small home studios, or for those who do onsite mobile recording.
The sound quality received the most commendation, followed by ease of use and portability. There are a few users who had qualms about the ID4 resetting its headphone output settings when turned off, but still praised the unit for its solid build and transparent sound. Overall, the Audient ID4 is the ideal portable audio interface for those who want to take advantage of the iPad's mobility, without compromising sound quality. The Audient ID22 is a 2-in / 6-out audio interface, with two Class A preamps paired with Burr Brown AD-DA converters that allow for 24-bit/96kHz resolution. And since Audient mic preamps are highly sought after, they are expected to improve the recording quality that you get from the iPad. But it's not just microphone recordings that will benefit, because it also comes with a dedicated instrument input with JFET DI circuitry.
Finally, the Audient 22 comes with in a compact and stylish form factor that make it easy on the eyes and easy to carry around. Specifications:. A/D Resolution: 24-bit/96kHz. Connectors: USB (Requires Lightning to USB Adapter). Simultaneous Channels: 2 (Up to 10 via ADAT). Inputs: 2 x XLR/TRS Combo, 1 x 1/4' DI (Instrument), 2 x 1/4' Return, 1 x ADAT/S/SDPIF. Outputs: 4 x 1/4' (2 Pairs of Stereo Output), 2 x 1/4' Send Headphones.
MIDI: USB. Power: Requires AC Power Supply or Powered USB Hub.
Phantom Power: 48V (When using AC Power Supply) Clean and quiet are two words that nicely capture what most users feel about the Audient ID22. More importantly, there are no questions when it comes to sound quality, because almost everyone is in agreement that it makes their recordings sound better. Build quality and aesthetic appeal also scored them some high ratings, and even recommendations from experienced producers and musicians. Other than a few who feel that the price is out of their reach, there are no consistent or noteworthy complaints. If budget is not an issue, then you might as well check out the iD22 from Audient. If you have the budget and want nothing less than the best rated audio interface with the capacity to expand via ADAT, then get the Audient ID14 ASAP. German manufacturer RME enters this list with its class compliant portable audio interface, the Babyface Pro.
This unit comes with many interesting features that easily set it apart from the competition, most notable of which is its extended range of 76dB, which increments in 1dB steps. This extra gain allow for improved clarity and compatibility with low level microphones.
Another noteworthy feature is the redesigned XLR socket, which saves space and better secures connection. Of course the ADAT toslink connection, which allows the addition of 8 input/ouput channels via an ADAT audio interface, is a key feature those who might want to expand beyond the 4 input channels initially on offer. Other features include 2 mic preamps, hi-Z (instrument) and lo-Z (line) inputs and MIDI input/output.
All of these features are packed inside a compact yet solid aluminum housing that's equally at home in portable and home studio applications. Specifications:.
A/D Resolution: 24-bit/192kHz. Connectors: USB (Requires Lightning to USB Adapter). Simultaneous Channels: 4 (Up to 12 via ADAT).
Inputs: 2 x XLR, 2 x 1/4', 1 x ADAT toslink. Outputs: 2 x XLR, 1 x 1/4' Headphones, 1 x ADAT toslink. MIDI: In/Out via Breakout Cable. Power: DC Power Supply or USB Bus Powered. Bundled Software: TotalMix FX. Phantom Power: Yes Market response to the RME Babyface Pro continues to be overwhelmingly positive, which is impressive considering its premium price tag. It gets most of its commendation from users who are impressed with its excellent headroom and clarity.
And while many bought the RME for portable use with their iPads, it has been reported to be equally viable in home studios, especially with it premium look and space saving size. The price tag is on the higher end for the average home studio enthusiast and mobile producer, but those who have bought the Babyface Pro found the premium cost justifiable. Having to use proprietary breakout cables were frowned upon by a few users, but they do understand that this is a necessary compromise to make the unit smaller and lighter.
Get the RME Babyface Pro if budget is not an issue, and you want a premium quality audio interface. The RME Fireface 802 is a premium audio interface meant for professional Firewire-based studio use, with up to 30 channels available for use along with built-in DSP features.
It has 12 analog inputs, four of which feature RME's popular mic preamps, while the unit's instrument inputs add to its overall routing flexibility. As the name implies, this digital interface is primarily designed to connect to Firewire ports, but it is also compatible with USB devices like the iPad. Finally, the RME Fireface 802 allows for latency-free monitoring with built-in effects that include EQ, dynamics, reverb, and delay. Specifications:. A/D Resolution: 24-bit/192kHz. Connectors: 1 x FireWire 400, 1 x FireWire 800, 1 x USB Type B.
Simultaneous Channels: 12 Analog (Up to 30 via ADAT). Inputs: 8 x 1/4' TRS, 4 x XLR-1/4' Combo, 2 x XLR ADAT, 1 x XLR (AES/EBI). Outputs: 8 x 1/4' TRS, 2 x Optical (ADAT), 1 x XLR (AES/EBU).
MIDI: In/Out via Breakout Cable. Power: DC Power Supply. Bundled Software: TotalMix FX. Phantom Power: Yes Overall market response continues to be positive, with users pointing to its clean and transparent sound as its best feature. A lot of users also appreciate the RME Fireface 802's connection options, which makes it viable for professional use.
Satisfied reviewers come from different backgrounds, from DJs to musicians to recording engineers. Still, the price tag is over the budget for many, but those who invested in it have nothing but good words to say about the value that it adds to their music production process. If you have the budget and you're looking to expand your home studio equipment with premium gear then do check out the RME Fireface 802.
What to Look for in an iPad Audio Interface. Lightning Compatible Audio Interfaces While many USB audio interfaces can work with the iPad via Class Compliant mode, they require certain accessories to work and is a bit complicated to setup. Thankfully, there are interfaces built to work directly that connect directly with the iPad, complete with Apple's proprietary Lightning Connectors. They are the best choice if you want to avoid the complications of having to buy adapters. Note that older iPads use older 30-pin connectors, so be sure to check whether the interface you're buying support these. Class Compliant USB Audio Interfaces These are audio interfaces that utilize industry standard USB drivers to work, and as such they work seamlessly with multiple operating systems, including iOS.
While being able to switch between your iPad and your computer is a good thing, they will require you to buy an Apple USB Camera Adapter to connect to the lightning interface on you iPad. The main accessory people use is the Apple's Lightning to USB Camera Adapter or the Apple iPad Camera Connection Kit (for older 30 pin devices). More recently the Lightning to USB 3.0 Camera Adapter has become available and although it's a bit pricier it does allow you to charge you're iPad while connected to USB which isn't possible with the other two. Note that USB interfaces generally won't be able to draw enough power via these USB adapters to operate so see the following section on power consumption. Power Consumption The iPad is designed to limit the amount of power supplied to external devices, and while this can preserve battery life it also presents challenges for the said external devices.
This is the reason why most audio interfaces made specifically for the iPad required their own power, a few are even capable of charging your iPad, making them ideal for long recording sessions. Those interfaces that are 'bus powered ' have to contend with the iPad's limited power so they tend to be small one channel interfaces and features like phantom power are scaled down, if not totally turned off.
That said they are the most convenient and portable options you find. When it comes to compatible USB interfaces connected through a lightning adaptor, you will generally need another supply of power. Interfaces that are USB bus powered will usually not get enough 'bus power' via the lightning adaptor to function. This is where interfaces that can use their own power supply come in handy.
The solution for interfaces that can only be USB 'bus powered' is to use a powered USB hub and although this works it does add another box and cable to your setup which can reduce the portability and convenience of the setup. Check out the video below on how to connect bus powered interfaces with the iPad:. Input Compatibility If you're planning to record vocals and other instruments, you'll want one that comes with both 1/4' and XLR inputs.
Note that electric guitars, basses and other instruments require a higher impedance than line level inputs even though they use the same 1/4' connection. So look out for connections or switches labelled 'Instrument' or 'Hi-Z' to see if an interface can handle these properly. A workaround for this is to use a before going into the audio interface. Another important consideration is 48V phantom power capability, which is the standard when you're planning to use condenser microphones. Some interfaces also provide ADAT connections to allow you to add up to 8 extra tracks via a separate ADAT audio interface. Mic Preamp Quality Thankfully, many of today's affordable audio interfaces come with the same mic preamps as their expensive counterparts. This means that even in the entry level market, you are getting really good sound quality.
Best Thunderbolt Audio Interface
If you're looking for tried and tested preamps, brands like Focusrite, Audient, Yamaha and more have iPad friendly interfaces that provide top notch sound recording, worthy of being included in the final mix. Best iPad Audio Interface Selection Methodology For this update, we looked at best sellers and top rated iPad compatible audio interfaces, including those that are compatible with Apple's Lightning cable, and those that are class compliant - iOS compatible. We ended up with a slightly longer list of viable interfaces, which required us to gather around 6000 relevant data sources that include reviews, ratings, forum discussions and more.
All these data were then fed to the Gearank algorithm to give us the scores that we used to identify the best audio interfaces that are worth recommending. For more information about this process see. We divided the list into Lightning Compatible and iPad Compatible USB sections, and sorted the top rated ones by price. Have just bought the UMC204HD and plugged it into my iPad Pro 10.5” using the Apple lightning to USB 3 adapter which has both USB and lightning sockets so you can supply power at same time. It powered up the UMC204HD and the iPad recognised it immediately, no warnings. Opened Auria Pro, all working perfectly (still had to set the iPad volume first, as reported).
The iPad was charging as well. Don’t know if there’s anything different with the iPad 10.5 like if it has more power ability but this is perfect for me. Don’t need a powered usb hub, no mess of excess cables. Happy bunny, me!
No mistake, Jason. Please allow me to explain.
Based on the Gearank article you sited, the iTwo is ranked 83 with over 3x the amount of sources as the top listed lightning compatable interface. The iOne is an even closer competitor, at a lower price point with more features. Furthermore, I don’t know where your “lack of ratings” is coming from. Gearank’s OWN RATING SYSTEM invalidate your statement.
Since the inception of gearank’s article in early 2016, the Presonus ratings for their iOS devices have greatly increased on respectable user ranked based platforms, specifically the iOne which has more reviews than the top competitor. My position is firm. I continue to find fult in this incomplete article. I am simply stating the facts. This article calls for an update. I find the “update” earlier this year to be partial. Hi Dan, you are clearly very passionate about interfaces from PreSonus and that's a good thing because if everyone had the same opinion on everything then life would be boring and music would be dull.
What I meant about the ratings was that the iTwo has lower ratings than the ones we recommended - that was the same for the iOne which didn't make it onto our short-list because a quick analysis showed the ratings would come out too low for us to recommend it before we did the extra work of publishing a rating for it. Keep in mind that the ratings we publish are a statistical measure of the overall market satisfaction with a product and as a result some of the sources we have used will have higher ratings while others will have lower ratings for a single item. If you have written reviews, posted forum comments or rated those interfaces (on sites other than Gearank.com) then it's quite likely that your opinion has contributed to the ratings we publish. Please feel free to post a follow-up and tell us what those respected sources are that you mentioned, and if by some chance they aren't already in our sample set, I'll ensure they are considered next time we update our recommendations. Nice work here, thank you. I imagine the list is missing iConnectivity's iConnectAudio4+ interface because of some bad reviews (68% on amazon and sweetwater, though most are 5-star on both.) but wonder if should get an 'Honorable Mention' or 'YMMV' slot at the bottom of this list because of its particular feature set for iOS musicians. In addition to regular 4 channel audio and MIDI IO.
It's Lightning Compatible. You can plug two iOS devices and a computer in at the same time. It will actually charge the iOS devices while in use. You can route audio and MIDI back and forth between any of the connected devices internally. It has a USB host port which can be connected to a hub allowing for up to 8 additional USB devices to be hooked up. The preamps ain't Apogee or RME but they're plenty good and certainly on or above par with the other items listed here. Disclaimer: I am not affiliated with iConnectivity in any way other than I gave them money and love the interface.:).
Best Audio Interface For Mac Logic
Thank you Will for both your suggestion and for stating your reasons so clearly. IConnectivity is a very reliable brand when it comes to MIDI and they dominate the recommendations in our guide to. Also, the has some serious supporters in addition to you including;. However, a vast number of individual users have given it a rating equivalent of well less than 4 stars in their reviews and comments and that has dragged down the overall rating for the iConnectAudio4+.
Alexander, the lead researcher and author of this guide, informed me that his investigation showed there were a large number of plug-and-play / compatibility issues, meaning that if it worked it was great, but for those that had problems getting it working, well - they gave low ratings in response. Thank you again for the suggestion, however until solutions to the compatibility issues are reflected in user experiences, we won't be comfortable giving it a featured position in this guide.